What's next?

I want to be as transparent as possible about the publishing process, but I have been asked not to reveal the name of the publisher who acquired my book until all the contracts have been signed, so I'll talk around some things for the time being.

So, what am I doing now that I've learned my book will be published?

I've already spoken with my editor and they have let me know that there will be some edits to the Zomburbia manuscript, though, thankfully, nothing structural. I won't receive those until after the contracts are signed, either. In the meantime, I'm thinking about the general shape of book two. Later in the year, I'll need to deliver the first three chapters and a detailed outline. That part scares me a bit because I haven't worked from an outline before – not a detailed one, at any rate. Zomburbia had a four-page plot and I diverged from it somewhere around the middle of the book. Regardless, that needs to be done.

I was also asked to start looking at YA book covers. While I will not have anything like final say, I was told I'd be consulted on the cover design. I sense a field trip coming on, maybe to Powell's, though our local indy bookstore has a great YA selection.

And as to what I'll actually be writing as I wait for notes from my editor, I am 91,000 words into a steampunk novel that I started writing because I had no idea whether or not Zomburbia would ever sell. I wasn't being pessimistic, just honest about how the world of publishing works. I plan to barrel along on that manuscript for as long as I can before I have to back-burner it. No matter what else happens, I will finish it, it just might take me longer than I planned.

Finally, I plan to wrap my head around the fact that someone wants to publish a book I've written. And its sequel. It's still a bit unreal to me. Part of that may be that I haven't had a chance to really celebrate it. A friend asked me today what happened when I found out about the deal. I told her the truth: I showed my wife the phone with the email from Ann, my agent, and we both cheered and jumped around for a bit. Then we regained our composure and my wife reminded me that the garbage needed to be taken out to the curb. I'm sure that we'll time to celebrate, but we have to get on with life at the moment, since life just keeps happening.

I should also take a few days and update the links and other stuff on this blog. It's all painfully out of date...

If folks have any questions about this process as we go, please feel free to leave a comment, or send me anemail.

An early announcement

More details to come after all the paperwork is signed, but I wanted to let people know that a publisher has offered me a two-book deal (for Zomburbia and its as-yet unwritten sequel) and, through my agent, Ann Collette of the Rees Agency, I've accepted. Like I said, as soon as the paperwork is finalized, I'll be on  here with all the news. I've been sitting on this news for more than a week and finally got the go-ahead to say this much, so there you go.

And here's a funny story about Ann. Her first words to me, after she learned my name, were, "Come to Momma!"

More later.

A Zomburbia update

C. S. Lewis. Mr. Lewis received some 800
rejections before any of his stories saw print.

The last time we spoke, or, perhaps more accurately, the last time I talked at you, I'd just acquired an agent and she was preparing to send out my novel, Zomburbia, to a number of publishers and editors. I just wanted to bop over here and give an update on that situation. Just like the title of this post says. Truth in advertising, kids.

True to her word, Ann prepared a submission packet and sent it off to eighteen publishers. That may seem like a lot, and it is -- it's more than she would normally query, but she's not known in the YA field and she wanted to cast a wide net. Of those eighteen, six have gotten back to us with some version of no thanks. Most of these have said something along the lines of, "It doesn't sound right for us" or "It sounds like something we already have in our pipeline." Two have mentioned that they think there's zombie fatigue in the market. That's a bit worrying, but I'll address it in a moment.

But it's not all bad news: So far, five publishers have asked to see the full manuscript. Those aren't bad numbers, right? Six said no thanks, five want to read it, and seven still need to respond. Ann and I feel confident that if folks read the book, the voice of the main character will win them over. For "confident," you may want to insert "hopeful." Whatever, we think we have a good shot at attracting at least one publisher. We may need to wait a while to find that out, however. The reading/approval process is a long one and there's the Christmas/New Year's holiday at this end of this month, so it will probably be drawn out even longer. I'm doing my best to be patient.

Here's where I want to talk about zombie fatigue. A couple of years ago, when I had first started writing what would become Zomburbia, I had a chance to talk to an agent about my writing and she asked to see the opening chapters of the book. She was mostly negative about it, mainly citing that there were too many zombie books on the market. This was two years ago, mind, and the field hasn't become any less crowded. She then suggested I write something else, something very specific. For a time, I abandoned the manuscript and tried to write what she'd asked for, but my heart was never in it. I later came to realize that she was probably only ever interested in this one thing she wanted written and was looking for someone to write it for her. Even after that realization, I didn't pick up Zomburbia again. Her comment about the saturation of the field gnawed at me.

But...

But I couldn't get the book out of my head. Courtney, the main character spoke to me, delivered long speeches in that voice of hers, speeches that made their way into the book once I got back to writing the stupid thing. Because I realized that no matter how saturated the market was, this was a book I had to write. It was a book I wanted to read and it was about characters and situations that I wanted to know about. I wanted to see how it all worked out in the end. And isn't that what you're supposed to do? Aren't you supposed to write books and stories that you want to read, market forces be damned? Well, I sure as shit hope that's what you're supposed to do. And I hope that those five editors who now have my manuscript can sense the urgency I had when I wrote it.

I think that might be the book's only hope, and I think it's a good one.

Achievement unlocked: agent acquired

Scott Pilgrim art by Bryan Lee O'Malley.

It feels strange sharing good news when half the country is being knocked around by a hurricane, but I guess that if I waited for a period of calm and peace then I'd probably never get to share this.

Just so I don't bury the lede: I now have an agent who will represent me and my novel, Zomburbia. Ann Collette of the Rees Literary Agency has decided to add me to her roster, for which I am very grateful. I wrote previously about how I met Ann.

Even before signing with her, Ann helped me a ton by giving me notes on my novel. Is this something agents do? Help authors with their manuscripts even if they don't have a formal relationship? I have to admit that handling the rewrite felt a bit like an audition. I guess I got the part...

For now, I have a few more rewrites -- minor stuff -- and I need to write a bio. Ann is beginning to put together a list of publishers/editors to whom she'll submit the manuscript. She thinks she should be submitting it around the middle of November. I hope I'll have good news soon after that. Either way, I plan to use this space as a means of recording the book's progress through the hurdles of publishing. Wish me luck.

You know, I really should write that post about query letters...