Book talk: Buffy The Vampire Slayer Season 8 Library Edition Volume 1 HC

They were just so young. First season 

promo photo. Copyright 20th Century

Fox Television.

I've never made a secret of my love for Buffy the Vampire Slayer. A big, huge, titanic-sized reason for that love is the dialogue of series creator Joss Whedon. Whedon makes the language his characters speak dance, do jumping jacks, and do the shimmy. And for all of that, he has a rare ability to get at emotional truths like few other screen writers I can think of. (And I know there are people out there who don't like Whedon's writer. There's a term for these people. That term is: "wrong.")

Previous attempts to bring Buffy to the comics page failed, in my estimation, because try as they might, the writers couldn't quite capture the voice of the TV series writers. And there were some good writers on that original comics series, Andi Watson among them.

And so, we get a new comics series that starts where the TV series ended, and its original arc is written by none other than Mr. Whedon. Glory be! It's really nice to once again be visiting the world and the characters he created, and to have him, initially at least, at the helm. And Brian K. Vaughn, who takes over after Whedon leaves, does a good job of maintaining that voice.

The art by Georges Jeanty captures the likeness of the actors who played these characters on the show without being slavish to them, and he has a fine eye for storytelling. A bonus, for me at least, is that Cliff Richards gets to draw a stand-alone issue in this collection. Richards was the regular artist on the original back when I was its assistant editor. Seeing his art again is like a blast from the past. In a good way.

The whole tone of the comic just feels right. Seriously folks, this is as close as we're likely to get to another season of one of my favorite shows. And that's close enough.

Book talk: Distrust That Particular Flavor

Gibson reading at Powell's in 2010.
Photo by Adam Gallardo

In his last three novels, William Gibson has written about the everyday world as if it were science fiction. He exposes the strange incongruity of life in the early 21st century. He's always done this, he claims, he just used to say that his stories were set in the future. So it should come as no surprise that the essays collected in this book sometimes come off like SF vignettes.

Gibson claims to have no talent for non-fiction. His toolbox is that of the novelist he says, but it's that eye for narrative and telling detail that makes these pieces so readable. And so recognizable as Gibson's creations.

The pieces here are culled mainly from magazine articles and talks. Most deal with the author's vision of the future (as a SF writer he gets asked to talk about the future a lot), or with his somewhat uneasy relationship with technology. It's somewhat disconcerting to read about the man who coined the term "cyberspace" slowly coming to grips with the Internet via an addiction to ebay.

At all times, Gibson's humanity and sly sense of humor shines through in these essays, as when he describes Singapore in the essay "Disneyland with the Death Penalty."

"Singapore is a relentlessly G-rated experience, micromanaged by a state that has the look and feel of a very large corporation. If IBM had ever bothered to actually possess a physical country, that country might have had a lot in common with Singapore." (72)

Some of the stronger pieces in the book feature Gibson turning the novelist's observant eye inward. He writes with a sense of wistfulness about his own past and his development as both a reader and writer in essays like "Rocket Radio," "Since 1948" and "Time Machine Cuba."

If there's a complaint to be leveled here, it's that many of the essays are too short. Just as the reader begins to truly engage with a piece, it's over. But I don't know that being left with wanting more is necessarily a bad thing.

I'd definitely recommend this book to any fans of Gibson's fiction, but those unfamiliar with his work might find these nonfiction pieces the perfect gateway to his fictional worlds.